Gamers Clearly DON’T Want Gaming To Be Art

Oh look, the gaming community is still full of idiots. This is why I’m so glad to be a Gaymer, because I can just retreat to my little niche where all the sane people belong.

On the topic of Gayming, I recently picked up and played Gone Home. Whilst it’s a ridiculously overpriced game and thus I’m very glad I bought it in a sale, I really enjoyed it. It’s basically a point and click adventure game told through a first-person perspective – which is something I want to see more of. There are already games like Amnesia and Outlast, but their mostly linear horror stories, and Outlast gets real generic real fast.

Gone Home is not a horror story, despite the game taking place in the largest bloody house in the world with an obnoxious lighting sound effect that actually made me turn part of the sound off. What it is is a surprisingly seamless interactive story where through reading clues you discover the story as you go on. Whilst there are aspects of linearity, it’s possible for you to listen to Sam’s journals out of order, and doing so won’t necessarily confuse the story.

It’s not a perfect experience. I’m not going to do a ‘Best Games of 2014’ list at the end of the year, but if I did then Gone Home wouldn’t be on it. But it deserves its place in gaming as an example of the art form continuing to push itself. So I was surprised to find that the majority of Steam-users hated this game – dismissing it because you could barely interact with anything, and frustrated by the lack of choice. All these comments reminded me of this hilarious video about The Stanley Parable, and yes, the video is based on an actual review.

So, just like Depression Quest, we have another game that pushes how an interactive story can be told…and yet again the gaming community has proceeded to reject it en-masse.

Couple this with the fact that Antichamber – one of the most original games I’ve ever played – has thus far sold poorly, Proteus – another original game – has been rejected, and everyone is complaining that feminism has ruined gaming. Look at all this from a distance, and you’ll realise that clearly the gaming community doesn’t want gaming to be an art.

Any attempt to dissect and challenge gaming has been rebuked. Attempts to make us question precisely what a game is, and attempts to apply the same critical thought that’s applied to any and every other artform has been shunned. The gaming community clearly does not define ‘art’ as an entity worth scrutinising – it defines ‘art’ as acceptance. It thinks that if the world defines gaming as art, then gaming is socially acceptable.

Of course, it already is. The fact that there are adverts everywhere for Far Cry 4 means that gaming has now reached the same ubiquity as film, television, and literature. Gaming is no longer an entity pushed to the edge of society. It’s very much part of society.

The gaming community is so obsessed with painting themselves as maligned and ostracised by the public that they’ve forgotten that this image no longer exists. Gaming is a socially acceptable recreational activity, and there is no longer a stigma surrounding gaming. Violent gaming is no longer a hot debate, and Grand Theft Auto 5 was released to considerably less controversy than Grand Theft Auto 4…mostly because it’s just the same game.

Gamers just want the whole world to kneel before video games, worshipping them as this holy entity that is without flaw, and smiting those who subject it to critical discourse or re-invent it. That’s not art – that’s invasion. Stop it.

Gamergate, And Their Anti-Logic

The gaming community is a volatile one. This is mostly because for a long time gaming was considered a fad that would soon die out – and some still consider it so. Thankfully those people will die soon and gaming will be universally regarded as an artistic movement.

I’ve frequently defended gaming. OK, the industry is run by anti-consumer robots who are merely trying to imitate Hollywood instead of actually making games that we can play. Said robots also continue to systematically erase the history of gaming in the hope that we’ll stop noticing that the current triple-A climate is the worst gaming has ever been because we’ll have nothing else to compare it so.

But despite companies pouring enough money to feed the whole of Africa into their latest ‘white man with gun in open world’ game, gaming is still the most exciting artform around at the moment. Behind the big-budget flops, there is Papers Please, Anti-Chamber, Gone Home, and The Stanley Parable. Even triple-A releases like Bioshock Infinite and Far Cry 3 are proof that gaming is still climbing upwards despite the endless Call of Duty sequels.

Which is why it’s disappointing that I’m reminded of how the community behind this exciting new artform is horrid. I’ve never really liked the term ‘Gaymer,’ but I mostly remain within that community just because the people that inhabit it are actually nice.

It’s great that finally Anita Sarkeesian is bringing into light the sexism prevalent in a disturbing number of games – in the same way that during the 70’s, critics such as Laura Mulvey (who Gamergate definitely hasn’t heard of) began to write about the sexism prevalent in television and cinema. I hope Sarkeesian will one day be regarded alongside Mulvey as key figures in academia.

But, of course, there is the backlash. And the backlash is absolutely ridiculous.

Many seem to be taking Sarkeesian’s comments about the sexism in games personally, which baffles me. Gamergate and Sarkeesian’s other various critics assume that because Sarkeesian is pointing out sexist tropes then she must be attacking gaming as a whole – and by extension attacking any and every gamer in the world. She’s not attacking a game; she’s attacking them…according to her critic’s anti-logic.

This is rather like me saying that Transformers 4 was a terrible film that not only insults its audience but the art of film as a whole. Does that mean I hate film as a whole? NO! Does that mean I hate everyone who’s ever seen and liked a film? Of course not! Do I even hate people who liked Transformers 4? Not really. I wish they could raise their standards, but who am I to dictate a person’s artistic taste?

Similarly, I think William Shakespeare’s The Taming of the Shrew is sexist. Does that mean that I hate theatre? NO! Does that mean I hate Shakespeare? NO! Does that mean I even hate The Taming of the Shrew. Not really. Its sexism is regrettable, but the play still has Shakespeare’s sublime wordplay and they usually get a really talented female actress to play the leading role.

I would discuss Zoe Quinn – another public figure who’s being harassed by Gamergate to the point where she’s had to leave her house – but Gamergate’s reason behind the death threats to Zoe Quinn are even more ridiculous. Rumour had it that Zoe Quinn, a game-developer, was sleeping with a game journalist. This turned out to be completely false, yet Gamergate continues to hurl online abuse at Quinn for no reason whatsoever.

So Gamergate is the worst thing ever, and is fuelled by no logic whatsoever. I can’t believe I’m even warranting it the merit of discussion, and I never want to speak of it again.